Identifying the interval from A♭ to D♯Equal Interval UsageGeneral procedure for determining the name of...
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Identifying the interval from A♭ to D♯
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Identifying the interval from A♭ to D♯
Equal Interval UsageGeneral procedure for determining the name of an interval given a major key / diatonic collectionWhy is music theory built so tightly around the C Major scale?Essential things to memorize in music theoryUsing the correct enharmonic equivalentAlgorithm for Transposing Chords Between KeysRoman Numeral AnalysisIs a Major Interval the same as a Pure Interval?Open interval (Does such a term exist?)Does chord type(major or minor) remains the same for common chord progressions irrespective of any mode or scale?
This is a very theoretical question but it's confusing me a little.
So intervals overlap - That's why I can call a major 3rd a diminished 4th, and such.
However, from what I understand, a perfect 5th only overlaps with a diminished 6th. You cannot refer to a 7 semitone interval using a 4th because the "biggest" fourth, augmented fourth, is a diminished 5th.
So consider this (treble clef):
What would you call the interval here? From what I understand it should be called a 4th because of the distance between the notes. But that's impossible.
theory intervals
edited 6 mins ago
Richard
43k697185
asked 1 hour ago
fishamitfishamit
132
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This is a very theoretical question but it's confusing me a little.
So intervals overlap - That's why I can call a major 3rd a diminished 4th, and such.
However, from what I understand, a perfect 5th only overlaps with a diminished 6th. You cannot refer to a 7 semitone interval using a 4th because the "biggest" fourth, augmented fourth, is a diminished 5th.
So consider this (treble clef):
What would you call the interval here? From what I understand it should be called a 4th because of the distance between the notes. But that's impossible.
theory intervals
edited 6 mins ago
Richard
43k697185
asked 1 hour ago
fishamitfishamit
132
New contributor
fishamit is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
add a comment |
This is a very theoretical question but it's confusing me a little.
So intervals overlap - That's why I can call a major 3rd a diminished 4th, and such.
However, from what I understand, a perfect 5th only overlaps with a diminished 6th. You cannot refer to a 7 semitone interval using a 4th because the "biggest" fourth, augmented fourth, is a diminished 5th.
So consider this (treble clef):
What would you call the interval here? From what I understand it should be called a 4th because of the distance between the notes. But that's impossible.
theory intervals
edited 6 mins ago
Richard
43k697185
asked 1 hour ago
fishamitfishamit
132
New contributor
fishamit is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
This is a very theoretical question but it's confusing me a little.
So intervals overlap - That's why I can call a major 3rd a diminished 4th, and such.
However, from what I understand, a perfect 5th only overlaps with a diminished 6th. You cannot refer to a 7 semitone interval using a 4th because the "biggest" fourth, augmented fourth, is a diminished 5th.
So consider this (treble clef):
What would you call the interval here? From what I understand it should be called a 4th because of the distance between the notes. But that's impossible.
theory intervals
theory intervals
edited 6 mins ago
Richard
43k697185
asked 1 hour ago
fishamitfishamit
132
New contributor
fishamit is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
edited 6 mins ago
Richard
43k697185
asked 1 hour ago
fishamitfishamit
132
New contributor
fishamit is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
edited 6 mins ago
Richard
43k697185
edited 6 mins ago
Richard
43k697185
edited 6 mins ago
Richard
43k697185
43k697185
asked 1 hour ago
fishamitfishamit
132
New contributor
fishamit is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
asked 1 hour ago
fishamitfishamit
132
asked 1 hour ago
fishamitfishamit
132
132
New contributor
fishamit is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
New contributor
fishamit is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
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You're correct; it should be called a fourth!
But since "augmented fourth" won't be big enough for this, we kind of had to make up a term, and the world of music theory collectively decided upon calling this interval a doubly augmented fourth. This just means that it's one half step larger than an augmented fourth. (As such, the augmented fourth is not really the "biggest" fourth possible.)
The same is true for diminished intervals; a half step smaller than a diminished sixth will be a doubly diminished sixth.
Any interval can overlap with (or, in more theoretical terms, "be enharmonic to") another interval. A perfect fifth could, in theory, be enharmonic to a triply augmented third—not that you'll encounter those very often!
answered 1 hour ago
RichardRichard
43k697185
This is the best way to explain doubly-augmented intervals I've heard. +1!
– user45266
8 mins ago
add a comment |
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1 Answer
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You're correct; it should be called a fourth!
But since "augmented fourth" won't be big enough for this, we kind of had to make up a term, and the world of music theory collectively decided upon calling this interval a doubly augmented fourth. This just means that it's one half step larger than an augmented fourth. (As such, the augmented fourth is not really the "biggest" fourth possible.)
The same is true for diminished intervals; a half step smaller than a diminished sixth will be a doubly diminished sixth.
Any interval can overlap with (or, in more theoretical terms, "be enharmonic to") another interval. A perfect fifth could, in theory, be enharmonic to a triply augmented third—not that you'll encounter those very often!
answered 1 hour ago
RichardRichard
43k697185
This is the best way to explain doubly-augmented intervals I've heard. +1!
– user45266
8 mins ago
add a comment |
You're correct; it should be called a fourth!
But since "augmented fourth" won't be big enough for this, we kind of had to make up a term, and the world of music theory collectively decided upon calling this interval a doubly augmented fourth. This just means that it's one half step larger than an augmented fourth. (As such, the augmented fourth is not really the "biggest" fourth possible.)
The same is true for diminished intervals; a half step smaller than a diminished sixth will be a doubly diminished sixth.
Any interval can overlap with (or, in more theoretical terms, "be enharmonic to") another interval. A perfect fifth could, in theory, be enharmonic to a triply augmented third—not that you'll encounter those very often!
answered 1 hour ago
RichardRichard
43k697185
This is the best way to explain doubly-augmented intervals I've heard. +1!
– user45266
8 mins ago
add a comment |
You're correct; it should be called a fourth!
But since "augmented fourth" won't be big enough for this, we kind of had to make up a term, and the world of music theory collectively decided upon calling this interval a doubly augmented fourth. This just means that it's one half step larger than an augmented fourth. (As such, the augmented fourth is not really the "biggest" fourth possible.)
The same is true for diminished intervals; a half step smaller than a diminished sixth will be a doubly diminished sixth.
Any interval can overlap with (or, in more theoretical terms, "be enharmonic to") another interval. A perfect fifth could, in theory, be enharmonic to a triply augmented third—not that you'll encounter those very often!
answered 1 hour ago
RichardRichard
43k697185
You're correct; it should be called a fourth!
But since "augmented fourth" won't be big enough for this, we kind of had to make up a term, and the world of music theory collectively decided upon calling this interval a doubly augmented fourth. This just means that it's one half step larger than an augmented fourth. (As such, the augmented fourth is not really the "biggest" fourth possible.)
The same is true for diminished intervals; a half step smaller than a diminished sixth will be a doubly diminished sixth.
Any interval can overlap with (or, in more theoretical terms, "be enharmonic to") another interval. A perfect fifth could, in theory, be enharmonic to a triply augmented third—not that you'll encounter those very often!
answered 1 hour ago
RichardRichard
43k697185
edited 2 mins ago
answered 1 hour ago
RichardRichard
43k697185
answered 1 hour ago
RichardRichard
43k697185
answered 1 hour ago
RichardRichard
43k697185
43k697185
This is the best way to explain doubly-augmented intervals I've heard. +1!
– user45266
8 mins ago
add a comment |
This is the best way to explain doubly-augmented intervals I've heard. +1!
– user45266
8 mins ago
This is the best way to explain doubly-augmented intervals I've heard. +1!
– user45266
8 mins ago
This is the best way to explain doubly-augmented intervals I've heard. +1!
– user45266
8 mins ago
add a comment |
fishamit is a new contributor. Be nice, and check out our Code of Conduct.
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